I went to a party last night and I realized the remnants of Canadian social democracy brought up a generation of refugee children who came here throughout the 1980’s and early 1990’s, and who are from the Horn of Africa and who are A M A Z I N G, sassy, strategic, progressive, funny and insightful. Now that our little H of A community has come of age I especially want to say “All praises to the young Idil. Toronto, you did all right”.
Straddling the gap between charity and social justice, lost lives, and a changing immigration system bent on penalizing social citizenship and rewarding cold hard cash, last night’s party also reminded me that remnants of Canadian social democracy also gave us Baby Blue Sound Crew (Sean Paul and Lil X) plus Kardinal Offishall and Jully Black.
“Beyond their shared talents, what these names have in common is a little-known initiative of Ontario’s NDP government: a program called Fresh Arts. Fresh Arts was developed under the umbrella of JobsOntario Youth, part of the larger JobsOntario training and employment program the NDP government introduced to address the labour market fallout of the early ’90s recession.
Fresh Arts attracted young people of colour from areas the city now designates as “priority neighbourhoods.” Then, like today, these neighbourhoods were characterized by large immigrant populations, racialized poverty and high unemployment — most strikingly, youth unemployment.
[…]Yet, like other efforts to address systemic racism […](such as the Anti-Racism Secretariat), Fresh Arts fell victim to Mike Harris’s Common Sense Revolution. Harris ended JobsOntario Youth, and with it, Fresh Arts.”
Institutions make and break us. But sometimes the remnants of once ambitious institutions can make us, long after the real thing has departed the scene.
But all the same let us banish all talk of gravy trains and a common sense revolution. There is sense in the commons, but to know it means we have got to get down with the commons, not atomize it into a million seemingly fragmented pieces.